Logjam Presents

Clutch – Book Of Bad Decisions Tour 2019

Big Business

The Inspector Cluzo

Uncommon Evolution

The Wilma

Missoula, MT
Add to Calendar 03/02/2019 19:15 03/03/2019 01:00 America/Boise Clutch – Book Of Bad Decisions Tour 2019

Logjam Presents is pleased to welcome Clutch – Book Of Bad Decisions Tour 2019 live in concert at The Wilma on March 02, 2019. Tickets are on sale now at The Top Hat, online or by phone at 1 (800) 514-3849. All tickets are general admission standing room only. All ages are welcome. Additional ticketing and venue information can be found here. *Show time… Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
7:00PM (door) 7:15PM (show)
$30 (Adv.) $33 (DOS) + applicable fees
All Ages
Tickets Event Info

Logjam Presents is pleased to welcome Clutch – Book Of Bad Decisions Tour 2019 live in concert at The Wilma on March 02, 2019.

Tickets are on sale now at The Top Hatonline or by phone at 1 (800) 514-3849. All tickets are general admission standing room only. All ages are welcome.

Additional ticketing and venue information can be found here.

*Show time for this event has been moved to 7:15PM.

About Clutch

With the release of their highly anticipated 12th studio album, the gloriously titled “Book of Bad Decisions”, it would be easy to suggest that legendary Maryland rockers Clutch have made their finest record to date. This may even be true. You see, the thing about Clutch is that ever since their 1993 debut Transnational Speedway League they’ve been in the business of writing stone cold classics, and even the most rabid fan would have trouble picking just one. “Book of Bad Decisions” won’t make that task any easier. Rest assured, it’s another classic.

Recorded over three weeks at Sputnik Studios in Nashville, “Book of Bad Decisions” was produced by four-time Grammy winner Vance Powell (Seasick Steve, The White Stripes, Arctic Monkeys, etc.), a man who apparently knows that a one degree angle change in microphones makes a difference to how an instrument sounds. Interestingly, his name first came to the band’s attention via country star Chris Stapleton.

“It started with my brother-in-law, who’s a huge Chris Stapleton fan,” says drummer Jean-Paul Gaster. “He and I would listen to The Traveller quite a bit, and one thing that stood out was that it didn’t sound like any other country record that I’d heard. Shortly after that I was on Spotify, and a song by The Dead Weather came up. It just blew me away and I could tell that whoever produced that record was doing things a different way. I looked it up and there was Vance Powell’s name again, so something was telling us that this is a guy we should reach out to.”

“Even though Chris Stapleton does music that’s not too much like our own, the sonics of the record are pretty great,” says frontman Neil Fallon. “He has a very different approach to recording; he comes from the school of live recording and engineering, and the songs, on tape, are not gonna sound that much different from what we do live.”

No stranger to the road, Powell spent three days on tour with the band in order to get a feel for what they do best, watching first from the front of house and then from the stage, checking out the live sound and how Clutch connect with their audience.

“I never go into a record having an idea of how it’s gonna sound,” he says. “But after hearing them live, I had an idea of how they could sound. I’m a big live recording fan, so I like when bands play together and I didn’t wanna get into that manufacturing a record concept. I wanted it to be real organic.”

Indeed, ‘organic’ is a word that comes up a lot when talking to Clutch about the new record, Powell taking great care to get guitar tones right and making sure that each song had its own identity.

“Vance is all about vintage guitar sounds,” says guitarist Tim Sult. “I probably had more amplifier options than on any other album we’ve done. It was like going back to a music store in 1960! This was the first time I’ve ever recorded with amps from the ’50s and I ended up buying a couple of ’50s amps while we were in Nashville.”

“I felt really good about the gear that I was bringing into the studio,” concurs bassist Dan Maines, “but Vance had this 1974 Ampeg and I’m so glad that he recommended that. As soon as we plugged it in, it sounded like Sabbath! We ended up using it alongside one of my amps, and I loved it so much that once we were done recording I scoured the ads for another one. What I really like is that each song has a different tone to it, and I think that’s Vance Powell’s style.”

With each band member contributing riffs to the album – including Jean-Paul who has added mandolin to his repertoire – there was no shortage of material, each song road-tested long before it reached the studio. Hell, with 15 songs, “Book of Bad Decisions” could easily pass as a double album! Always wary of repeating themselves and retreading old ground, there is even – for the first time on a Clutch album – a horn section that swings like James Brown’s pants!

“The third night I was watching the band,” says Vance, “they did this song that at that time was called Talkbox, which is now In Walks Barbarella. While Neil was singing, I was thinking to myself, “wow, there’s a horn line here!” And while he was singing, I was humming it to myself. I brought it up to them, tenuously, and they were like, “okay, let’s do it!” This is as Parliament, Funkadelic as it gets, maybe even a James Brown vibe!”

One thing, however, that is entirely as expected, is that as arguably the greatest rock lyricist of modern times, Fallon, as always, has provided some interesting subject matter, everything from poets to presidents and recipes to rock ‘n’ roll. You may have to Google some of it, because Fallon is nothing if not a clever bugger, and likes to keep his audience on their toes.

“Most of the time I have no idea what he’s talking about,” laughs Jean-Paul, “but the lyrics completely inform how I’m going to play that tune. Whether or not I understand exactly what Neil is singing about is not important. I listen to the way Neil sings those words and I think about what those words mean to me, and that, ultimately, informs how I’m gonna play drums on that song.”

“I think I probably second guess myself into doing that,” says Neil of his lyrical style. “I would rather not be able to answer all the questions, just to keep it interesting for myself. Sometimes a rhyme sounds awesome and I don’t know what it means, but I’ll go with it anyway. It’s become more difficult to write lyrics now that I have Wikipedia at my fingertips, because you can go down rabbit hole after rabbit hole and not get anything done! Not too long ago you’d have to spend months in a public library trying to find out the things you can find in a couple of keystrokes.”

Elsewhere, however, you’ll find a more straightforward approach to lyrics, A Good Fire relating the memory of hearing Black Sabbath for the first time – something that everyone can relate to – while Sonic Counselor pays homage to Clutch fans. Indeed, it’s fair to say that Clutch fans – collectively known as Gearheads – are a breed like no other.

“I’ve always loved rock songs that just celebrated rock ‘n’ roll,” grins Fallon, “but that song was a bit more about the people who come to our shows, that make it as exciting for us as hopefully it is for them. My favorite shows that I’ve seen bands do is like going to church, especially when everybody’s in sync with each other and you walk out with your jaw on the floor. I feel incredibly grateful that people have walked out of our shows and felt the same way. It’s a tip of the hat to them.”

“We’re exceptionally lucky to have the fans we have,” Jean-Paul agrees. “They’re diehard, and because of that, we take this that much more seriously. We do not take this for granted. We know that those folks could be anywhere else, and they’ve chosen to spend the evening at a Clutch show, so we’re gonna do the best we can to provide them with the best musical experience we can. I think that translates to the records, because at the end of the day, all you have is your records. When this whole thing wraps up, those are gonna be the things that go down in history.”

Big Business

BIG BUSINESS’ 5th studio album COMMAND YOUR WEATHER.  Recorded in Joshua Tree, CA, Command Your Weather sees Big Business return to its original two-man lineup of Jared Warren and Coady Willis.  It’s a haunting dream about the struggle for dominance of will over the power and unpredictability of nature.  Or it’s just a really great rock record, it depends on how weird you’re willing to get..  But you’ve never had so much fun being crushed in the cogs of the universe’s great machine, that much is for sure!  I mean, there’s no law against having a couple cold beers while we all burn in the fire of time, am I right?!

Recorded by Dave Curran of UNSANE/PIGS/BIG BUSINESS’ LAST RECORD fame.

Founded in 2003 in Seattle, WA., Big Business has spent the last 13 years touring the world and making records.  In 2006 Jared and Coady joined forces with the Melvins and moved to Los Angeles.  Performing as members of the Melvins and staying autonomous as their own band, they have been there ever since.

The Inspector Cluzo

Delivering a jacked-up explosion of soulful funk-influenced classic rock intensity, THE INSPECTOR CLUZO’s fourth studio full-length, Gasconha Rocks, was recorded in full analog by the band on their old MCI mixing desk on their farm in Mont de Marsan, Gascony. The album’s diverse ten tracks capture the act’s most closely represented recording of their insanely energetic live show. A band who prides themselves on maintaining a badass style of funk without a bass player, THE INSPECTOR CLUZO formed in 2007 when their bassist never showed up for practice, therefore initiating a lifelong goal of abusing and demoting bassists the world over. Boasting a fully DIY attitude and system in every aspect, the duo — guitarist/vocalist Malcom Lacrouts and drummer/backing vocalist Phil Jourdain — has handled their own management, booking, label and promotion since inception, even amidst their massively and steadily growing fanbase over the years. Their rampant live performances have been heavily documented online, indisputably ranking them one of France’s most hard-touring bands.

Uncommon Evolution

Uncommon Evolution at The Wilma

Uncommon Evolution is from Whitefish, high in the mountains of north west Montana. For five years they have traveled from New York City to Portland, Oregon and the Canadian border to Corpus Christy Texas. Playing various venues and festivals along the way, including SXSW.

There are currently three EP’s that can be found on any streaming or downloading site. However, their latest Machine produced EP has brought this band to a new level and style that will turn some heads. Gaining the attention of Machine was quite a feat for a band coming from such an isolated area, but these guys are no stranger to adversity.

Uncommon Evolution teamed up with Argonauta Records to release Junkyard Jesus, their first EP produced by Machine, in the Summer of 2017.

Now, fresh out of the studio, they look forward to showcasing their new, yet to be released, EP on tours thoughout the next year, with their great onstage energy.