Logjam Presents

The Infamous Stringdusters

Toward The Fray Fall Tour 2022

With Midnight North

The ELM

Bozeman, MT
Add to Calendar 11/12/2022 20:00 11/13/2022 01:00 America/Boise The Infamous Stringdusters

Logjam Presents is pleased to welcome Infamous Stringdusters for a live in concert performance at The ELM on Saturday, November 12, 2022. Tickets go on sale Friday, June. 24, 2022 at time online or by phone at 1 (800) 514-3849. Reserved balcony loge seating, reserved premium balcony seating, and general admission standing room tickets are available. All… Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
7:00PM (door) 8:00PM (show)
$35-$45 (Adv.) + applicable fees
All Ages
Sold Out Event Info

Logjam Presents is pleased to welcome Infamous Stringdusters for a live in concert performance at The ELM on Saturday, November 12, 2022.

Tickets go on sale Friday, June. 24, 2022 at time online or by phone at 1 (800) 514-3849. Reserved balcony loge seating, reserved premium balcony seating, and general admission standing room tickets are available. All ages are welcome.

Additional ticketing and venue information can be found here.

About The Infamous Stringdusters

After finally being in the same room for the first time in six months, the Infamous Stringdusters seized the moment for their revealing new album, Toward the Fray. Inspired by self-reflection and a strong sense of solidarity, the project documents the Grammy Award-winning group’s remarkable growth as instrumentalists as well as songwriters. Released on their own label, Americana Vibes, the collection also firmly establishes the band’s stature on the modern acoustic music landscape, where they’ve built a solid and enduring fan base among traditional and progressive audiences alike.

The five band members – Travis Book (bass), Andy Falco (guitar), Jeremy Garrett (fiddle), Andy Hall (Dobro), and Chris Pandolfi (banjo) — wrote the songs on Toward the Fray separately, sending simple phone demos to each other during lockdown. Fueled by friendship and a mastery of their instruments, the 13-track collection feels live, but not necessarily loose, due to a synergy that’s developed over the last 16 years of playing sheds, clubs, and festival stages across the country.

“With all of our records, we always go into the studio to capture the live energy of our band, so I feel like we were all comfortable just plugging right in and getting started,” Pandolfi says. “All five of us have arrived at this point in our careers where we all produce – we produce our own music and some of us produce for others. We knew we could get it done with all that collective intel and know-how. One of the awesome things about being in this band is that everybody is always working on their instrumental game. When we show up for a new tour or a new album, we all get a chance to dig even a little deeper — and you can hear that part of it. That’s always been part of our mantra.”

Toward the Fray begins with a somber perspective in songs like “Hard Line” and “I’m Not Alone,” even as the arrangements tap into the ambitious, enthusiastic musicianship the band is known for. The point of view in “I Didn’t Know” feels especially personal for Garrett.

“For me, it was a heavy time, with the pandemic slowing everything down, but what affected me the most was the death of George Floyd,” he says. “I can’t say what an impact that had on me personally, being an average American white guy going along through life, not necessarily fully understanding what the other side of the fence was. I took a deep look at myself because of that story. I got inside of my head and wanted to write about it. Several songs on this record come from that vantage point, trying to put more thought into, how can we bridge this gap that has happened? ‘I Didn’t Know’ is about that. I didn’t know we had to pay attention to these things. It was a wake-up call for me.”

Continuing the conversation, Book adds, “All five of us took that opportunity for our consciousness to evolve, and we took the responsibility seriously. That’s what I hear when I listen to this record. The songs are very honest and real, but what other option do we have? There’s a responsibility as citizens of this country and as citizens of earth, for all the reasons – ecological and cultural — to lean in and to turn toward the battle. Everybody brought a lot of conviction with their tunes. Everybody came with a clear idea of what their statement was going to be. I think because of the situation we were all in, a harmonious and collective sound came out of that.”

The title track of Toward the Fray finds the narrator making a decision to get involved, rather than just comment on the sidelines. It’s a powerful image – and one that required an attention-grabbing visual. Of the cover art depicting a young girl standing firm among the wreckage, Hall says, “When we decided on the album title, I imagined the fray being a city that was on fire or in turmoil. And in juxtaposition of all that destruction happening, there’s a child. That’s what was happening in the world at the time. There were little kids seeing these protests and all this strife. No one is safe from what’s going on, as far as experiencing some level of it. One thing that I like about the artwork is that the child has a strength to her, especially the way she’s looking right into the camera. She’s got to wear a gas mask and she looks ready to enter into the fray, like, ‘All right, I’ve got to face this.’”

Toward the Fray is also the first Infamous Stringdusters album with drums, with the band deciding that the songs were calling out for it. The band explores other creative directions, too, ranging from the persistent march of “Revolution,” to the comforts of home in “Pearl of Carolina.” Meanwhile, “Spirits Wild” will be relatable to those who can’t help but answer the call of the road. “When Will I Ride Again,” a sequel to “Tragic Life” from their first album, is cinematic but also emblematic of their own questions about picking up where they left off. “How Do You Know” and “Through the Floor” are among the band’s most vulnerable compositions in a catalog of exceptional material.

“To me, the theme of Toward the Fray is about dealing with your problems head on, rather than running away from them,” Falco says. “One of the things that I’m really proud of is that this record is true to all of us. It’s a genuine record because it really is about everything that we were all going through. We’re talking about the pandemic and all of the chaos, but we’re talking about love and other things, too. We were able to reflect and dive deep and look inward during all of this. I hope people who hear these songs will feel like they’re not alone. That’s what we always hope that people can relate to in our songs — that we’re all in it together.”

Toward The Fray Fall Tour 2022

With Midnight North

With Midnight North Image

About Midnight North

There’s Always a Story represents a new chapter for Midnight North. Ten stories told through song on their most polished album to date.

Reflecting on the time since their origin, Midnight North is ready to tell the world its story. A group of multi-instrumentalists with songwriting roots in Folk and Americana, Midnight North is a mainstay on the stages of the national touring circuit. Rolling Stone hailed Midnight North as the “Best New Act” in its review of 2018’s Peach Music Festival saying the band “takes the best parts of roots music and weaves them into a tapestry of rock and Americana.”

Grahame Lesh, Elliott Peck, & Connor O’Sullivan began playing together in San Francisco. In early 2012 they played their first show as Grahame Lesh & Friends. Grahame & Elliott both brought a repertoire of original music to this new project that was a perfect marriage once the band began performing in earnest. In late 2012 the band went into the studio for the first time, tracking the entirety of their debut album End of the Night in just 2 days. End of the Night (mixed & produced by Connor) was released in June 2013 as they officially debuted the name Midnight North.

The band began touring in June 2015, with the release of their second album Scarlet Skies. That began a five year run as a touring band, playing in 36 states in front of thousands of people across the country. They released Under the Lights, their most successful studio album to date, in summer 2017. “Across all of the tracks, when you think you have the band pegged for a style or a genre, all of a sudden a chorus, or a new solo or new instrument altogether, diverts the music boldly but smartly to a new sound and feel,” said The Poke Around in their review of Under the Lights. They also released two live albums including 2018’s Selections From the Great American Music Hall which featured Bob Weir & Phil Lesh of the Grateful Dead plus members of Twiddle as special guests.

A pivotal moment for the band came when Grahame met drummer Nathan Graham at a benefit show in Philadelphia in 2016. A month later Nathan sat in with the band for a show, eventually joining the band for their longest tour to date in the Spring of 2017. Bringing on the well seasoned drummer as a full-time member of the band (and learning about his banjo playing, singing, and song-writing skills) represented the next step forward as plans were made to record their fourth studio album.

In January 2020, the band went into a California studio with producer David Simon-Baker to craft their fourth studio album, There’s Always a Story, released in 2021 on Americana Vibes. As the world shut down in March and the band quarantined separately around the country, the album was finished remotely in California and Pennsylvania. As the months ticked by they let the rest of the newly written & recorded songs sink into their consciousness so that when work resumed on the album in June the entire album became even better than they could have hoped.

2022 and beyond is a new beginning, and while Midnight North longingly looks ahead, hand-in-hand with the rest of the world, There’s Always a Story will serve as a collective and reflective narrative.