Logjam Presents

Lorna Shore

Signs of the Swarm

Paleface Swiss

The ELM

Bozeman, MT
Add to Calendar 04/22/2026 19:00 04/23/2026 01:00 America/Boise Lorna Shore

Logjam Presents is pleased to welcome Lorna Shore for a live in concert performance at The ELM on Wednesday, April 22, 2026 with Signs of the Swarm & Paleface Swiss. Tickets go on sale Friday, January 23, 2026 at 9:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while… Continue Reading

 Logjam Presents - Missoula, Montana false MM/DD/YYYY
6:00PM (door) 7:00PM (show)
$64 - $87 (Adv.)
All Ages
Sold Out BUY / SELL Lodging

Logjam Presents is pleased to welcome Lorna Shore for a live in concert performance at The ELM on Wednesday, April 22, 2026 with Signs of the Swarm & Paleface Swiss.

Tickets go on sale Friday, January 23, 2026 at 9:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while supplies last. General admission standing room only, reserved balcony seating and reserved balcony loge seating tickets are available. All ages are welcome.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing and venue information can be found here.

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Deathcore heavyweights Lorna Shore will headline The ELM in Bozeman on April 22, 2026, delivering an unrelenting night of extreme metal with support from Signs of the Swarm and Paleface Swiss.

Rising to the forefront of modern deathcore with crushing anthems like “To the Hellfire,” “Sun//Eater,” and “Pain Remains,” the New Jersey quintet are known for their cinematic brutality, technical precision, and absolutely ferocious live performances. Their shows balance sheer heaviness with epic atmosphere, creating a full-body experience for metal fans.

Support comes from Signs of the Swarm, whose punishing sound and tracks like “Amongst the Low & Empty” deliver pure sonic devastation, alongside Paleface Swiss, bringing raw, hardcore-fueled aggression with crowd-shaking anthems like “Please End Me.”

Prepare for one of the heaviest nights Bozeman has ever seen — grab your tickets ASAP!

About Lorna Shore

Call them heroes or hell-bringers, it doesn’t matter to the men of Lorna Shore. On their fifth album—the declarative I Feel The Everblack Festering Within Me—the New Jersey quintet are putting all of metal’s subgenres on notice. Because after one listen, you’ll wonder what motivates them and what took metal so long to evolve.

There are all kinds of levels within the 10 tracks on I Feel The Everblack Festering Within Me. Andrew O’Connor’s orchestral arrangements give the songs an epic, cinematic feel that guides listeners into a mise-en-scene of their own creation. When the other members add parts, the results are positively stentorian. De Micco can thrust into light-speed, black-metal tropes and then downshift into the kind of phrasing one might hear from a ‘70s guitar hero. Ramos is clearly the heir apparent to the kind of vocal madness that Faith No More’s Mike Patton built his considerable reputation on. Add in the propulsive terror of Yager and Archey, and there’s no reason for Lorna Shore’s collective feet to ever touch the ground. Hardly ordinary by anyone’s standards whether it’s deathcore or black metal, there are things at work on Everblack that feel more like an extension of prog rock due to its extremity and big grandiose gestures. But by virtue of physical onslaught and wanting to divine truth from their music, Lorna Shore have kept themselves fired up by torching up the metal rulebook at every turn, practically demanding that other genres step up their game.

Signs of the Swarm

About Signs of the Swarm

“I realized I scream things I’m too chickenshit to talk about,” admits Signs of the Swarm vocalist David Simonich.

It’s a surprising admission for a band as self-assured as the Pittsburgh titans, especially when one hears sixth LP To Rid Myself of Truth: a title that exemplifies yet sounds a hell of a lot cooler than the quoted confession, and an album that exudes confidence.

The growth is palpable as Signs of the Swarm are reunited with producer Josh Schroeder (Lorna Shore, Mental Cruelty, Varials, King 810) to continue molting their slamming deathcore exoskeleton. That metal metamorphosis reveals a band now as indebted to Meshuggah, Gojira and Fear Factory as any of the deathcore bands they grew up on—now peers.

It’s not to say they don’t still slam with the best of them—and Simonich’s gargling, acidic growls out-monster his peers—but the focus has evolved into a modern metal paradox: chorus-driven deathcore. In an era where “look-at-me” moments are prioritized to appeal to shrinking attention spans, Signs of the Swarm’s pursuit of substance over style of the month is as refreshing as it could be surprising.

“I know it’s ironic given ‘the part’ of ‘Amongst the Low & Empty’ that blew up, but we’ve never had ‘Tik Tok’ as our goal,” admits main writer (and drummer) Bobby Crow of his double bass maelstrom. “For that song, it was simply what I felt it needed, which is why there are less PARTS on the new album, but that overwhelming energy is everywhere.”

Paleface Swiss

About Paleface Swiss

Paleface Swiss is a deathcore band from Zurich, Switzerland, founded in 2017 and known for an aggressive, heavy sound.

The lyrics are dark and intense, often dealing with pain, betrayal, internal struggles and mental health. In 2023, they changed their name to Paleface Swiss to avoid conflicts with another artist. Their discography includes three studio albums: ‘Chapter 3 The Last Selection’ (2020), ‘Fear Dagger’ (2022) and their most recent, ‘Cursed’ (2025), which amplifies the intensity of their earlier work and has been well received within the deathcore scene. Paleface Swiss has risen as a prominent name in the scene and is praised for their creative boldness. Their live shows are known for relentless energy and stage presence, building a strong connection with the audience while addressing themes of mental health.