By the time 2019 came to its fitful end, Andrew Marlin knew he was tired of touring. He was grateful, of course,for the ascendancy of Mandolin Orange, the duo he’d co-founded in North Carolina with fiddler Emily Frantz exactly a decade earlier. With time, they had become new flag bearers of the contemporary folk world, sweetly singing soft songs about the hardest parts of our lives, both as people and as a people. Their rise—particularly crowds that grew first to fill small dives, then the Ryman, then amphitheaters the size of Red Rocks—humbled Emily and Andrew, who became parents to Ruby late in 2018.They’d made a life of this.

Still, every night, Andrew especially was paid to relive a lifetime of grievances and griefs onstage. After 2019’s Tides of a Teardrop, a tender accounting of his mother’s early death,the process became evermore arduous, even exhausting. What’s more, those tunes—and the band’s entire catalogue, really—conflicted with the name Mandolin Orange, an early-20s holdover that never quite comported with the music they made. Nightly soundchecks, at least, provided temporary relief, as the band worked through a batch of guarded but hopeful songs written just after Ruby’s birth.They offered a new way to think about an established act. Continue reading…