Logjam Presents

Killswitch Engage

Machine Head

Rivers of Nihil

Judiciary

KettleHouse Amphitheater

Missoula, MT
Add to Calendar 09/25/2026 18:30 09/26/2026 01:00 America/Boise Killswitch Engage

Logjam Presents is pleased to welcome Killswitch Engage for a live concert performance at the KettleHouse Amphitheater on Friday, September 25, 2026 with Machine Head, Rivers of Nihil and Judiciary. Tickets go on sale Friday, April 17, 2026 at 10:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while… Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
5:00PM (door) 6:30PM (show)
All Ages
Tickets Groove Presale Box Seating Groove Shuttle / Parking Crazy Creek Chair Rental Lodging

Logjam Presents is pleased to welcome Killswitch Engage for a live concert performance at the KettleHouse Amphitheater on Friday, September 25, 2026 with Machine Head, Rivers of Nihil and Judiciary.

Tickets go on sale Friday, April 17, 2026 at 10:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while supplies last. General admission seating/lawn, reserved premium seating, general admission standing pit and premium box seating tickets are available. Shuttle Tickets and Parking Passes can be purchased here. Crazy Creek Chair Rentals for this event are available for advance purchase here. All ages are welcome.

Available Ticket Types:

General Admission Seating/Lawn: General Admission Seating/Lawn tickets allow general access to the stadium-style seating and upper lawn area of the amphitheater.

Reserved Premium Stadium Seating: Reserved Premium Stadium Seating tickets allow access to the rows closest to the stage of the seated section located just behind the main pit of the amphitheater.

General Admission Pit (Standing): General Admission Pit tickets allow access to the standing room only section located directly in front of the stage.

Premium Box Seating: Experience the best seats in the house with reserved box seating in a prime location, offering unmatched audio quality, crowd-free viewing, and convenient counter space for food/drinks. Premium Boxes are sold in bundles of two tickets with a separate entrance for expedited venue entry and a dedicated server for drinks and concessions throughout the show.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing information and policies can be found here.

All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather, tickets will not be refunded.

About Killswitch Engage

Right before the turn of the century, casual jam sessions between a group of friends unassumingly lit the fuse for an insane 25-year ride to follow…

Hailing from Western Massachusetts (where the only thing icier than the freeway in winter is the blunt sense of humor shared by the locals), Killswitch Engage — Adam Dutkiewicz [guitar], Joel Stroetzel [guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] — always stood apart. For as deadly serious as their airtight technical riffing is, they also knew how to have a good time, riling up crowds with uncontainable energy and unpredictable performances. They could bludgeon with the best of them or serve up the kind of sing-along banger you could blast with the windows down.

From day one, they naturally appealed to the headbangers, hardcore kids, and heartbroken alike.

In 2002, Alive Or Just Breathing sent shockwaves through the culture, claiming a spot on Decibel’s “The Top 100 Greatest Metal Albums of All Time. They generated north of 3 billion streams and picked up gold and platinum plaques for The End of Heartache and As Day Light Dies respectively. They notably received three GRAMMY® Award nominations for “Best Metal Performance” and cracked the Top 10 on the Billboard 200 with a trio of consecutive releases: Killswitch Engage [2009], Disarm The Descent [2013], and Incarnate [2016]. Meanwhile, 2019’s Atonement represented a critical high watermark with praise from Forbes, Revolver, and NME who christened it “one of the most engaged and exciting records that Killswitch has ever made.” The guys have not only packed houses on repeated successful headline tours across the globe, but they have consistently held their own sharing bills with acts from Iron Maiden, Slipknot, and Slayer to My Chemical Romance, Rise Against, and Coheed & Cambria.

However, Killswitch Engage harness all of their strengths on their ninth full-length LP, This Consequence [Metal Blade Records]. They’ve distilled the hallmarks of their signature sound into a bruising, often brutal, and at times brilliantly bright body of work.

“Making this record lit a fire under my ass and made me rethink everything,” admits Jesse. “It had to be next level. It had to be different enough for people to really recognize we’re putting forth an effort—or what’s the point of doing this? There was no repeating ourselves. It was very carefully planned out and passionately written. It sounds like Killswitch, yet there’s also a fresh spirit to it.”

This time around, the group emphasized working together face-to-face in a Massachusetts rehearsal spot. The process enabled them to apply the pressure on every element. At the collective urging of his bandmates, Jesse poured over his words like never before.

“We pushed him to do more vocal demos and were super tough on him,” recalls Adam. “He was so open to feedback though, and he definitely got the lyrics right. I love it when he and I are face-to-face, and ideas are flying around. We work especially well together when we’re in the heat of the moment. All of the demoing made for a better record, and there was so much communication between all of the band members.”

“It felt like everyone put a ton of effort into this,” Mike adds. “It’s the first time since Alive Or Just Breathing that we really hashed everything out together in the same room. It was a combined effort, and there are even some things you’ve never heard from Killswitch.”

Jesse culled inspiration from “hours on Thesaurus.com, reading as many books as possible, and interacting with fans on the road in between. He confesses, “I found my voice again.

“I never considered myself to be a part of mainstream society,” he goes on. “I’ve always been in the middle. To me, this record is about the consequences of our actions as humans as we engage in war, hatred, division, and falling in line with control. History repeats itself. We’re going to have to answer for our actions—whether it’s how we treat the earth or each other. There will be an uprising and a backlash from nature. Cause-and-effect is a driving theme. We will face a consequence.”

The first single “Forever Aligned” finds the band firing on all cylinders. Jesse’s growl weighs heavy on a galloping beat and dual-guitar battering ram. The barrage breaks like a wave on a chantable chorus, “It’s you, I find, forever in my mind, we are aligned,giving way to a melodic bridge laced with a hummable lead line.

“When you find someone who won’t give up on you, forge a friendship, or have a family member who makes you a better person, you realize what love actually is,” notes the frontman. “I think true love is far beyond human comprehension. We have glimpses of it, but we’ll never grasp it. When you’re striving to be filled with love, it’s a selfless path. It’s a spiritual connection; it transcends life and death. The energy of love moves on eternally, so you’re forever aligned with who you love.”

“Even with all of the brutality, the hook is right up there with some of our best,” smiles Mike. “We felt like it was the perfect song to introduce this chapter and show we’re ready to go.”

“Aftermath” illuminates the dynamics of This Consequence. A lightly picked intro bleeds into the wail of guitar as epic drums boom. It kicks into high gear towards a hypnotic refrain, “We’re reeling from the aftermath, still bleeding from the damage of the past,as Jesse declares, “This is the consequence.

“If you’ve ever dealt with depression, one day you wake up and have this revelation, ‘I’m going to be okay. This is a new day’,” he goes on. “You get this injection of hope and think, ‘I got through this. How do I move forward]?’ ‘Aftermath’ is simply about finding yourself again and healing from all that you went through.”

Following the face-ripping “Where It Dies” and towering catharsis of “I Believe,” the vital and vitriolic “Collusion” confronts corruption at its ancient roots. Jesse laments, “It’s a world in collusion.

“The powers-that-be use manipulation to control the masses,” he sighs. “It goes back to even the Roman Empire. There are all of these tricky secret handshakes and backroom deals. I’d rather be pessimistic and questioning than gullible and rolling with it. Dig a little deeper and read between the lines.”

Then, there’s “Broken Glass.” It may be one of the unabashedly and uncompromisingly heavy compositions in the Killswitch catalog. It crawls along on a nail-scraping stomp anchored by a thick riff and guttural scream.

“I’m most stoked on ‘Broken Glass’,” says Adam. “It definitely doesn’t sound like anything we’ve ever done before.”

“It’s a metaphor,” reveals Jesse. “A liar’s words will cut you like broken glass. I’m sure anybody who has lived through the breakdown of a family or a relationship can relate to the images of shattered windows or smashed alcohol bottles. We don’t realize how deep abuse can run in our blood and affect us.”

Now, This Consequence might just set the stage for another 25 years of Killswitch Engage.

“This band is still just a group of friends who get together and play music—but to some of the biggest crowds we could’ve ever imagined,” Mike leaves off. “Even after all of this time, there’s a lot of love being thrown around.”

“The goal is to make the fans happy,” concludes Adam. “When you come to a show, it’s about fun. I love the connection we have. If the crowd is having a good time, we’re having a good time. This record is for everybody who has been with us for all of these years.”

“The world is in a dark place, but we’re going to get through this,” grins Jesse. “Music has always been a light in the darkness when I feel like all hope is lost. Certain albums came along at the right time and saved me. We are giving everything we have, because it’s all we got. We have a chance to take Killswitch to another level. That excitement is like fuel. We have everything to prove and nothing to prove, because we are right where we need to be.” – Rick Florino, October 2024.

Machine Head

About Machine Head

Undisputed masters of murderous riffs, pugnacious grooves and ferocious hooks since 1991, Machine Head are long established as one of the most influential and incendiary bands in metal.

From genre-expanding triumphs like 1994’s debut, Burn My Eyes, 1999’s The Burning Red to the planet-conquering might of 2007’s The Blackening, to the new life injected in 2014’s Bloodstone and Diamonds, Machine Head have carved a singular path across the globe for over three decades now with no end in sight. Whether it be marathon 3-hour live performances, or millions of albums sold worldwide, and accolades both big and small, there aren’t too many ‘distractions’ clouding up the vision of guitarist/vocalist/founder Robb Flynn these days.

In 2022, Machine Head are back with their most crushing and complete album yet. ØF KINGDØM AND CRØWN is an hour-long conceptual monolith, rich in colour and dynamics but hell-bent on destruction. Set in a futuristic wasteland where the sky is always crimson red, ØF KINGDØM AND CRØWN tells the tale of two characters, both faced with incalculable trauma, whose stories become bloodily entwined as this deep, dark record progresses.

“The album and concept was loosely inspired by the Japanese anime series Attack On Titan,” says Robb, “in the sense that in that series, there is no “good” or “bad” guy… both sides believe they’re doing the right thing, but both are committing atrocities and evil.”

Album opener, “SLAUGHTER THE MARTYR,” sets the tone for not only the record, but the aural and psychological exploration the listener is about to embark on.  From the first dissonant note, its certain this is not only fresh canvas spelled out with lead vocalist Robb Flynn and bassist Jared MacEachern’s soaring vocal harmonies, but its intent is as furious as anything the band has ever come up with. This track also begins the journey of our protagonists.

Further exploration of the damaged psyche blasts forth on “CHØKE ØN THE ASHES ØF YØUR HATE,” a searing back and forth dose of Thrash Metal that could only come from the roots of the Bay Area.  Unrelenting in its attack, the breakneck pace only solidifies this as one of many standouts on ØF KINGDØM AND CRØWN.

From the adrenaline rush of exorcising their inner demons to the innate feeling of solitude and regret comes “UNHALLØWED.”  A dramatic introspective of questioning one’s motives and the fallout when the debts our expended emotions come to collect.  Hopeless, lost, and isolated, protagonist #2 begins the transformation from victim to victimizer over the melodic chaos courtesy of guitarist Vogg Kiełtyka.  Radicalized, paranoid, and armed with a dead-end stare, the mental onslaught ignites with the song, “KILL THY ENEMIES.”  The whiplash inducing thoughts pair up nicely with some of the thickest grooves on the album.

The album ends with arguably the finest song Machine Head have ever written: “ARRØWS IN WØRDS FRØM THE SKY”, the grandiose but emotionally visceral climax to the finest and most ferocious album of the band’s 30 year career.

A perennially vital force in heavy music, Machine Head have continued their exhilarating evolution, while never losing the furious spirit of their old school, underground roots.

Rivers of Nihil

About Rivers of Nihil

Sixteen years and five albums after the Pennsylvania band’s formation, progressive death metal progenitors Rivers of Nihil are upping the ante with their 2025 self-titled album Rivers of Nihil. Traditionally, a self-titled record can signal a return to basics and/or a fresh beginning, and in 10 powerful songs, it’s clear that both those factors are in play. Founding bassist Adam Biggs became the band’s new lead vocalist/bassist in 2023; the same year marked the appearance of additional guitarist Andy Thomas (ex-Black Crown Initiate), whose vocals also play prominently on Rivers of Nihil. Producers Carson Slovak and Grant McFarland at Atrium Audio captured the new dynamics across more than 50 minutes of music.

On June 15, 2023, the band released a new single, “The Sub-Orbital Blues,” the first track with Biggs handling lead vocals (following the 2022 departure of singer Jake Dieffenbach, and also their first featuring Thomas). A second single, “Hellbirds,” dropped on October 19 of that year. On April 29, 2024, the band released the cut “Criminals” and an accompanying music video. Both “Criminals” and “The Sub-Orbital Blues” appear on Rivers of Nihil.

The new album’s first single of 2025, “House of Light,” is a track the band believes “encapsulates the nature of what it is that we do perfectly while offering a different perspective on the sound with the new lineup,” explains founding member/guitarist Brody Uttley, who also plays piano and does the programming in the band. “Everything that our fans have come to love about our sound is demonstrated in this song with the new addition of Andy singing and Biggs on main vocals. It has the riffs, it has the big chorus, it has the prog, it has the solos, it has the sax. Just a real classic example of what we will do as a band in 2025.”

Rivers of Nihil also showcases additional musicians, including Patrick Corona on alto saxophone; Stephan Lopez on banjo; McFarland on cello; and a slate of other guest vocalists. Further singles include “American Death,” a true-to-form beater that’s sure to slay live, and “Water & Time,” which Uttley says is Rivers’ “stab at writing a big chorus style synth-laden song. The main melody on synth came out so cool the band filled out the song with “metal band stuff” for the potent final version heard on Rivers of Nihil.

Despite the fresh approach on Rivers of Nihil, the album fits neatly into the band’s discography. With Where Owls Know My Name (2018), Rivers of Nihil transcended all labels applied to them, and with its 2021 follow-up, The Work, they forged further into new territory. Metal Injection calling the latter album “by far the group’s most cohesive, ambitious, meditative, and varied effort, with greater uses of philosophical significance and transcendental respites.”

The quartet’s musicianship has been honed to a fine point thanks to an unrelenting touring schedule over the past few years, including headline tours of the U.S. and EU/UK, as well as support slots on the Chaos and Carnage Tour (Cattle Decapitation, Carnifex, etc.), Lorna Shore, Between the Buried and Me, and shows with Killswitch Engage.

And the roadwork continues even before Rivers of Nihil’s 2025 release. Rivers will bring with them three of the other biggest names in progressive death metal –Cynic, Beyond Creation, and Dååth — for the European and UK  “Aggressive Progressive Tour,”  which kicks off February 28, 2025, in Germany. They’ll travel across seas once again for a slate of European festivals in August. And more touring plans for 2025 are expected to be announced soon.

Judiciary

About Judiciary

Balancing traditionally timeless grit with 21st century gusto, Judiciary hammer out hardcore grooves at breakneck thrash speeds. The T exas quintet—Jake Collinson [vocals], Juan Vazquez [bass], Austin Looney [drums], Jimmy LaDue [guitar], and Israel Garza [guitar]—wield a searing signature style unlike anything in heavy music. With calculated intensity, it bludgeons without compromise, draws back for a breath, and strikes again even harder.

Grinding full force since 2015, the band unleashed the EP The Axis of Equality in 2016, a split EP with Mortality Rate in 2017, and finally, their first full-length record Surface Noise with Closed Casket Activities in 2019. Of the latter, Revolver exclaimed, “More so than many other bands in their orbit, the quintet excels at writing riffs that hang on through any one track without faltering,” while Stereogum raved, “It fucking rips.” Beyond highlights such as “Stronger Than Thou” [feat. Bryan Garris of Knocked Loose] and “T emple” [feat. Brody King of God’s Hate], their standout single “Social Crusade” signaled success for what the band had set out to accomplish with their first LP .

Citing influences such as Slayer’s God Hates Us All and Chimaira’s The Impossibility of Reason as well as “a ton of Machine Head,” Judiciary perfected their blend of metal and hardcore on the 2023 second full-length record, Flesh + Blood [Closed Casket Activities]. Flesh + Blood was recorded and produced by Arthur Rizk [Power Trip, Cavalera Conspiracy] in August of 2021 before GRAMMY® Award-winner Will Putney [Body Count, Vein] handled mixing and mastering, and has since received the praise of Stereogum, Revolver, BrooklynVegan, Invisible Oranges, and more.