Logjam Presents

Jeff Tweedy

With Special Guest Macie Stewart

The Wilma

Missoula, MT
Add to Calendar 04/07/2026 19:30 04/08/2026 01:00 America/Boise Jeff Tweedy

Logjam Presents is pleased to welcome Jeff Tweedy for a live concert performance at The Wilma on Tuesday, April 7, 2026 with Macie Stewart. Tickets go on sale Friday, November 21, 2025 at 10:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while supplies last. This is a fully-seated… Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
6:30PM (door) 7:30PM (show)
$60 - $71 (Adv.)
All Ages
Tickets Lodging

Logjam Presents is pleased to welcome Jeff Tweedy for a live concert performance at The Wilma on Tuesday, April 7, 2026 with Macie Stewart.

Tickets go on sale Friday, November 21, 2025 at 10:00 AM and will be available to purchase in person at Logjam Presents Box Offices and online while supplies last. This is a fully-seated event with general admission seated floor and reserved balcony seating tickets available. All ages are welcome.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing and venue information can be found here.

About Jeff Tweedy

When you align yourself with creativity and creation, you align yourself with something that other people call God. And if you align yourself with creation, you have automatically taken a side against destruction. You’re on the side of creation. And that does a lot to quell the impulse to destroy.

Is the world getting darker? Sure feels like it. What is it? Is it the pervasive nagging toothache of dread that comes with witnessing the disintegration of a country that you thought you knew and understood? A home you still love with a love that could never be taken away, regardless of how painful that love has become. That sense of decline is hard to ignore, and it must at least be a part of the shroud  I’m trying to uncover. The twilight of an empire seems like a good enough jumping-off point when one is jumping into the abyss.

Twilight sure is a pretty word, though. And the world is filled with former empires, so maybe that’s not where this dissonance is coming from entirely. Could be how old I’ve managed to become without warning. My own personal Twilight. What ever it is out there (or in there) squeezing this ennui into my day, it’s fucking overwhelming. It’s difficult to just ignore. Twilight Override is my effort to overwhelm it right back. Here are the songs and sounds and voices and guitars and words that are an effort to let go of some of the heaviness and up the wattage on my own light. My effort to engulf this encroaching nighttime (nightmare) of the soul.

What I really want to do is grow my heart big enough to love everyone. And if I want a heart to grow big enough to meet this moment, it requires something expansive. “Like a TRIPLE record!?”, you ask? Yes! Like a goddamn triple record! I mean…What else do I have but my songs and my family and my friends? What else do any of us have to keep the lights on? How else can I generate my own light? To me any song, no matter what the subject matter, can be a point of light and that’s one of the reasons I try and make so many of them. They all have the potential, even the heaviest music on the Earth has the potential, to lift someone up. This sounds like a Hallmark card, but it rocks harder than a Hallmark card.

I’m aware the day ends and the sun sets no matter how hard we wish for it to lift itself back out of the ocean. So I guess what we’re really talking about is time. In a way these three records represent the past, present and future. The darkness comes and goes. But the clock keeps plowing ahead. We all want more. But not more of this particular shitty time. It feels like the clock is camped out at the worst part of the day. Everyone stuck saying goodbye to the future they woke up to. Waiting for it to get dark enough to dream up a new day.

Truthfully, I’ve been doing this for a long time. And I’m not going anywhere. This is the stuff that works for me. I can’t sing and be afraid at the same time. And dreaming at twilight isn’t forbidden. Not quite a daydream and nowhere near a nightmare. Twilight dreaming is a lovely workaround. Killing time with key changes and harmonies. Feel free to join us all here. Not singing into the void or at the void. Just singing. Feeling good. Together. It will do you no harm. Sharing this music with the world is the best I can do.

With Special Guest Macie Stewart

About Macie Stewart

Macie Stewart is a musician and multi-disciplinary artist based in Chicago, IL. Heralded for their versatility, Stewart works with piano, violin, guitar, voice, and synthesizers, effortlessly traversing styles and scenes. Stewart is a distinguished, go-to collaborator who Pitchfork credits with “making some of the best tracks of the past five years transcendent.”

As a composer, Stewart’s work continues to dissolve the boundaries between disciplines. Aside from her debut record, “Mouth Full of Glass” released in 2021 on Orindal Records and rereleased in 2022 on Full Time Hobby Records- Macie also composed a piece for Hubbard Street Dance’s film, “Half of Us,” alongside Sima Cunningham in 2021. That same year, they worked with Sima Cunningham and Alex Grelle to produce a performance piece paying homage to Kate Bush. In 2022, Stewart/Cunningham composed the score for a 50-piece orchestra premiering the Pacific Northwest Ballet’s “Before I Was.” And in 2023, choreographer Robyn Mineko Williams enlisted Stewart to create a sound installation for her dreamlike performance piece, Hisako House. Most recently, Stewart was invited to compose a site-specific piece for the ESS Florisonic Installation at Lincoln Park Conservatory. As part of the longest running sound installation in North America, their twenty-minute composition titled “The World Doubles in Size” played in the conservatory’s fern room from September through November of 2024.