Logjam Presents

Kishi Bashi

Emily Hope Price

The ELM

Bozeman, MT
Add to Calendar 06/18/2022 20:00 06/19/2022 01:00 America/Boise Kishi Bashi

*Unfortunately, Tall Tall Trees will no longer be performing but thankfully, the talented Emily Hope Price will be taking his place. We look forward to an evening full of great entertainment. Enjoy the show! Logjam Presents is pleased to welcome Kishi Bashi for a live in concert performance at The ELM on Saturday, June 18, 2022…. Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
7:00PM (door) 8:00PM (show)
$22-$35 (Adv.) + applicable fees
All Ages
Sold Out Ticket Waiting List Event Info

*Unfortunately, Tall Tall Trees will no longer be performing but thankfully, the talented Emily Hope Price will be taking his place. We look forward to an evening full of great entertainment. Enjoy the show!

Logjam Presents is pleased to welcome Kishi Bashi for a live in concert performance at The ELM on Saturday, June 18, 2022.

Tickets go on sale Friday, March 25, 2022 at 10:00AM MST  online or by phone at 1 (800) 514-3849. Reserved balcony loge seating, reserved premium balcony seating, reserved balcony wing seating, and general admission seated tickets are available. All ages are welcome.

Additional ticketing and venue information can be found here.

 

About Kishi Bashi

They say that you spend your entire life writing your first album, piecing every formative moment, scribbled turn of phrase, and thematic epiphany into a fantastical collage. Multi-instrumentalist K. Ishibashi (aka Kishi Bashi) disproves that old adage. The title of Kishi Bashiʼs 2011 debut album, 151a, is a riff on the Japanese phrase “ichi-go ichi-e,” roughly translating to “one time, one place.” Thatʼs exactly what this debut is: A singular time, an inimitable place, a launchpad for bigger and better things to come.

“Itʼs a play on words that translates as a performance aesthetic of having a unique performance in time, with imperfections, and enjoying it while you can,” Ishibashi told NPR at the time of the albumʼs release. “The saying reminds me to embrace my mistakes and move forward.”

Produced and performed exclusively by Kishi Bashi, 151a is a showcase of singular talent and ambition— and it didnʼt go unnoticed by fans or peers. Along with launching Kishi Bashiʼs career as a soloist, this earnest debut made him one of indie musicʼs most in-demand violinists. He was no longer relegated to side stage as a collaborator of Regina Spektor, Sondre Lerche, of Montreal, and more—the Kishi Bashi name could endure with its own merit.

As deeply personal as 151a undoubtedly is, the record was animated by a deep and enduring partnership. Following Kishi Bashiʼs collaboration with of Montrealʼs Kevin Barnes for the watershed art-pop album Paralytic Stalks, his worldview and artistic approach was transformed for the better. Strict habits hung loose, sonic palettes bled and broadened, and a one-man orchestra sprouted from a foundation of string loops.

From the deconstructed Beach Boys-esque doo-wop of “Wonder Woman” to the menacing marriage of Eastern Hues and Western operatics of “Beat the Bright out of Me,” 151a a mediation between opposing drives, offering possible reconciliation but never promising it. The albumʼs emotional wellspring, “I Am The Antichrist To You” was reimagined in 2021 when it was featured on the animated sci-fi sitcom Rick and Morty, introducing Kishi Bashi to a new generation of awestruck fans.

Kishi Bashi also uses 151a as a vehicle to explore his cultural background. Using Japanese refrains as a compositional and textural device (the polyrhythmic grandeur of “Bright Whites”; the gleeful surrealism of “It All Began With a Burst”), Kishi Bashi celebrates his heritage with earnestness. Japanese phrases and couplets are sung as the response to Kishi Bashiʼs resplendent calls, offering

listeners a conversation that dovetails with the albumʼs themes of love, sentimentality, and self-discovery.

Today, the “one time” and “one place” that 151a inhabited seems further than ever, almost broaching celestial realms of time and space. But, rest assured, with each listen, the world that Kishi Bashi built springs back to life. The world of 151a never left—it was just waiting to be rediscovered.

Emily Hope Price