Logjam Presents & Live Nation

Tyler Childers

Nathaniel Rateliff & the Night Sweats

Washington-Grizzly Stadium

Missoula, MT
Add to Calendar 08/24/2024 19:30 08/25/2024 01:00 America/Boise Tyler Childers

Tyler Childers will perform at Washington-Grizzly Stadium in Missoula, MT on Saturday, August 24, 2024 with support, Nathaniel Rateliff & the Night Sweats. Tickets go on sale Friday, October 13th at 10:00AM online or at GrizTix outlets. Sign up for the presale, purchase tickets and learn more about the event here.  

Logjam Presents - Missoula, Montana false MM/DD/YYYY
7:30PM (show)
$49.50-$159.50 (Adv.) + applicable fees
All Ages
Tickets Lodging

Tyler Childers will perform at Washington-Grizzly Stadium in Missoula, MT on Saturday, August 24, 2024 with support, Nathaniel Rateliff & the Night Sweats.

Tickets go on sale Friday, October 13th at 10:00AM online or at GrizTix outlets. Sign up for the presale, purchase tickets and learn more about the event here.


About Tyler Childers

Tyler Childers envisions Country Squire as a “working man’s country album” – one that captures a relentless work ethic, a happy marriage, and a sly sense of humor.

“I hope that I’m doing my people justice, and I hope that maybe someone from somewhere else can get a glimpse of the life of a Kentucky boy,” he says.

Country Squire comes exactly two years after Purgatory, a breakout album that’s kept Childers constantly on the road. For the new project, he reunited with Purgatory producers Sturgill Simpson and David Ferguson, recording nine songs in just two days.

“I don’t know how to explain it any other way but I wanted it to feel like an upper,” Childers says. “I was listening a lot to Allen Toussaint’s Southern Nights and Jim & Jesse’s Diesel on My Tail. You listen to that album all the way through and it’s driving, it’s going, and it’s not stopping.”

From the start, Childers intended Country Squire as a song cycle with an array of sonic textures linking these narratives together. Like most of the album, the autobiographical title track conveys a personal, yet relatable, point of view. In the lean days, Childers and his new bride Senora May moved in with his parents to save money before buying a used camper with “Country Squire” written on the awning of the front window. The dream? To buy a piece of land, live in the camper while building a house, and start a family. The reality? Working in a sawmill and brewery, playing gigs whenever possible, and stashing away whatever money they could.

“We’ve both been through a lot of it together,” Childers says. “In July 2019, it will make four years we’ve been married, and we met each other at 23. I’d been gigging since I was 18, getting ready to turn 19. For a good chunk of it, Senora May’s put up with me and been there for it. And she stuck with me, so it’s really awesome because we told ourselves that if we made these sacrifices, or held off just a little longer and kept at this, maybe one day it might work out.”

Childers grew up in Lawrence County, Kentucky, with a father in the coal industry and a mother who worked as a nurse. As a boy, he sang for his Free Will Baptist Church congregation and learned a few chords on a guitar given to him by his grandfather. He absorbed the classic rock his father liked, along with country artists of the ‘80s, such as Alabama, Ricky Skaggs, and Hank Williams Jr. He started writing songs at 13 and occasionally played them for friends at parties. At 15, when his grandfather died, Childers turned to bluegrass as a way to remember him.

With this kind of musical versatility even as a teenager, Childers started pursuing weekend gigs, enabling him to get into local bars well before he turned 21. In 2011, he released an independent album, followed by a couple of live EPs, but it wasn’t until Purgatory in 2017 that he garnered international attention.

Country Squire lets that story unfold in a remarkable way. The second track on the project, “Bus Route,” was written after Childers retraced the school bus route he rode as a kid. “Creeker” came to life after a misguided Uber driver dropped off Childers – hungover and exhausted — at the wrong intersection in Chicago with a dying cell phone and five dollars in his pocket. On the other hand, “Gemini” shows just how much fun touring can be when things are going right.

“I’ve been blessed with an opportunity to make a living doing what I want,” he says. “Not everybody gets to say that and I’m extremely grateful for that opportunity. It’s satisfying too, seeing these goals that Senora May and I have made for ourselves — understanding the price of an acre, the price of a two by four. I kept beating my head up against a wall to try to get that for us, without really getting anywhere. But because of the reception that I’ve had with Purgatory — and I hope people will enjoy this next album – we’ve been able to get closer and closer to the home that we intend to build for the family we hope to have.”

Since Purgatory, Childers has performed at Bonnaroo, the Grand Ole Opry, Lollapalooza, Merlefest, Newport Folk Festival, and countless other stages. These experiences stand in stark contrast to the time when he and Senora May endured a brutally cold winter living in an elderly couple’s farmhouse in exchange for Childers doing manual labor around the property. That experience inspired Country Squire’s lead track, “House Fire.”

Meanwhile the time spent away from his wife led him to write “Ever Lovin’ Hand.” As he explains, “Well… there it is. It’s part of the road life, being a happily married man.”  However, the characters in “Peace of Mind” aren’t based on anybody specifically. Instead, it’s a family composite loosely based on the kind of people he grew up with, many of whom are struggling with the economic climate.

Late in the album, “All Your’n” is a charming love song about Senora May, while the closing track “Matthew” is about his brother-in-law’s experiences serving overseas.

“It’s all happening now, and there’s nobody that I can imagine sharing that with, other than Senora May,” he says. “Not only is she a great partner, but she’s an amazing artist as well. She inspires me, and she’s grown me up as a person, best she could, because she demands that out of me. And because of that, as I grow as a person, I hope that my songwriting grows as well — what I’m writing about, what I’m talking about, and how I’m living.”

Nathaniel Rateliff & the Night Sweats

Nathaniel Rateliff & the Night Sweats Image

About Nathaniel Rateliff & the Night Sweats

It took Nathaniel Rateliff & the Night Sweats less than five years to become one of the most recognizable new forces in contemporary rock ’n’ roll. Since 2015, Rateliff has led his denim-clad, horn-flanked Night Sweats, supplying the zeal of a whiskey-chugging Pentecostal preacher to songs about this world’s shared woes. They’ve had hits, sure, but their combustible mix of soul and rock quickly cemented them as the rare generational band who balanced ecstatic live shows with engrossing and rich records. To wit, is there any other modern act capable of revving up stadium crowds for The Rolling Stones while also appearing on Saturday Night Live and CMT Crossroads and at NPR’s Tiny Desk in short order?

When Rateliff returned from his pandemic-truncated solo tour in March 2020, he struggled with the same question that vexed so many of us then—what now? Fortunately, he returned to his Colorado homestead and penned a set of songs that synthesized his introspection with his anthemic inclinations. The result is The Future, the third Night Sweats album but the first to capture this octet’s true depth and breadth. An instant classic of 11 songs, the album presents something more sustainable, interesting, and indeed open—a songwriter and band growing into bigger questions and sounds, into a future that allows them to remain recognizable but be so much more compelling than some denim-clad caricature.