Additional ticketing and venue information can be found here.
It’s rare that a career gets a second shot, let alone a whole second act, but then Anthrax isn’t your average band. Formed in New York in 1981, the group that would go on to sell over ten million records and becomes the living embodiment of America’s hi-top wearing, riff-spitting, ear-thrashing answer to the New Wave Of British Heavy Metal has undergone not one, but two complete eras – but that isn’t their real achievement. More than the group who let a fledgling Metallica crash on their studio floor in 1983, who became a lightning rod for geekdom by immortalizing Judge Dredd with “I Am The Law” in 1987, who enthusiastically raised a middle finger to the critics and unimaginative fans alike by collaborating with rappers Public Enemy in 1991, and who – in 2011 with the release of Worship Music – proved that classic albums aren’t a bygone concept, the story of Anthrax is one of gritty determination in the face of outrageous odds.
The liveliest fourth of the Big Four, they’re arguably the only member of that legendary fraternity who’ve kept their eyes so firmly focused forward and who’ve so consistently delivered the goods, both on stage and in the studio. Ironically, it was on stage alongside those immortal co-conspirators where the story of Anthrax’s 11th studio record began. Seeing their names in lights next to Slayer, Megadeth, and Metallica had a catalyzing effect on the band weary from years of toil and changing times. According to bassist Frank Bello, it wasn’t just a potent reminder of what they did back in the 80s, but also of how far they’ve come.
“Charlie, Scott and I have talked about how we have to credit Metallica with what we’re doing right now,” he says. “When the Big Four got back together back in 2009, it kinda reminded us that we belonged, that we really were part of that group of bands. We didn’t forget it but maybe people did – it suddenly made sense. It was like, ‘wow, we’ve been busting our asses for all those years,’ and then we released Worship Music – that was the catalyst. We knew we had something awesome, but it was about everybody giving it a chance – we sold a lot of records. It’s testament to how great metal fans are, because they came back.
“We’ve been doing this for 35 years now,” Frank continues. “We are who we are, we can’t be something we’re not, we can’t bullshit people…that’s just a New York mentality.”
As with any band, Anthrax has its creative turbulences, but those add up to their unique chemistry. While all five members contribute ideas and make suggestions to pretty much every song, drummer Charlie Benante makes early writing inroads with foundation riffs and other ideas, rhythm guitarist Scott Ian has a very particular way of incorporating his intense lyrical ideas into the band’s music, Bello has proven to be a very talented melody writer, something that has helped set the band’s music apart from others in the same genre, Belladonna crafts his vocals to best utilize that soaring voice of his, and guitarist Jon Donais brings crushing leads. In the end, the five bring it all together to create what simply is Anthrax music.