Logjam Presents is pleased to welcome Modest Mouse for a live concert performance at the KettleHouse Amphitheater on August 24, 2021.
Tickets go on sale Wednesday, May 26, 2021 at 10:00 AM at the Top Hat, online or by phone at 1 (800) 514-3849. General Admission standing pit tickets, reserved stadium seating tickets and general admission lawn tickets are available. All ages are welcome.
Available Ticket Types:
General Admission Pit: General admission pit tickets allow access to the standing room only section located directly in front of the stage.
Reserved Stadium Seating: Reserved Stadium seating tickets allow access to the reserved, stadium style seating section located just behind the main pit of the amphitheater.
General Admission Lawn: General Admission Lawn tickets allow access to the upper standing section of the amphitheater located just above the reserved stadium seating section.
Additional ticketing and venue information can be found here.
All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather, tickets will not be refunded.
About The Districts
“You Know I’m Not Going Anywhere is an unachievable promise,” says The Districts bandleader Rob Grote. “It’s about a dream for love to last forever and a yearning to postpone death. It is about wanting to escape everyday life while also craving time with one who’s present. It’s a plea to remain the same in the face of constant change, and the certainty of going nowhere fast.” Written after playing nearly 200 shows over two years in support of their 2017 album, Popular Manipulations, The Districts’ 4th full-length You Know I’m Not Going Anywhere almost never arrived.
Pulling from the propulsive Popular Manipulations, the jagged indie rock of 2015’s A Flourish and a Spoil, and the rootsy vibe of their 2012 debut, Telephone, the band here followed their creative instincts every step of the way, resulting in their most sophisticated and adventurous record to date. “I really just needed to be myself instead of being what someone else thought I should be, whether that was like some masculine bar-band singer or…I don’t know,” Grote says, laughing. “I just want to be myself, and I want to try and do that as best as I can. This record is paradoxically the most-Districts record ever with no intention of ever being one at all. It’s about breaking free from how you’re seen, always being yourself first and holding on to who you are—but also about coming together as a whole and putting your ‘self’ aside. Doing all that, I’ve realized, ‘Oh, this is how I want to make music from now on!’”