Logjam Presents

Trampled by Turtles

The Lil Smokies

Amy Helm

KettleHouse Amphitheater

Missoula, MT
Add to Calendar 07/21/2018 20:00 07/21/2018 11:00 pm America/Boise Trampled by Turtles

Logjam Presents is excited to welcome Minnesota-based, folk bluegrass band Trampled by Turtles to KettleHouse Amphitheater for a live performance on Saturday, July 21, 2018. Award winning Missoula-based bluegrass band The Lil Smokes and folk singer-songwriter Amy Helm will open. Tickets go on sale to the general public at 10am on Wed, Feb. 14th,  and will be… Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
6:30pm (door) 8:00pm (show)
$32.50-$37.50 (Adv.) + applicable fees
All Ages
Tickets All-In Package

Logjam Presents is excited to welcome Minnesota-based, folk bluegrass band Trampled by Turtles to KettleHouse Amphitheater for a live performance on Saturday, July 21, 2018. Award winning Missoula-based bluegrass band The Lil Smokes and folk singer-songwriter Amy Helm will open.

Tickets go on sale to the general public at 10am on Wed, Feb. 14th,  and will be available at The Top Hatonline or by phone at (877) 987-6487. General Admission standing pit tickets, reserved stadium seating tickets and general admission lawn tickets are available. All ages are welcome. 

General Admission Pit
General admission pit tickets allow access to the standing room only section located directly in front of the stage.

Reserved Stadium Seating
Reserved Stadium seating tickets allow access to the reserved, stadium style seating section located just behind the main pit of the amphitheater.

General Admission Lawn
General Admission Lawn tickets allow access to the upper standing section of the amphitheater located just above the reserved stadium seating section.

Additional ticketing information and policies can be found here.

About Trampled By Turtles

Trampled by Turtles are from Duluth, Minnesota, where frontman Dave Simonett initially formed the group as a side project in 2003. At the time, Simonett had lost most of his music gear, thanks to a  group of enterprising car thieves who’d ransacked his vehicle while he played a show with his previous band. Left with nothing more than an acoustic guitar, he began piecing together a new band, this time taking inspiration from bluegrass, folk, and other genres that didn’t rely on amplification. Simonett hadn’t played any bluegrass music before, and he filled his lineup with other newcomers to the genre, including fiddler Ryan Young (who’d previously played drums in a speed metal act) and bassist Tim Saxhaug. Along with mandolinist Erik Berry and banjo player Dave Carroll, the group began carving out a fast, frenetic sound that owed as much to rock & roll as bluegrass.

Trampled by Turtles released their first record, Songs from a Ghost Town, in 2004. In a genre steeped in tradition, the album stood out for its contemporary sound, essentially bridging the gap between the bandmates’ background in rock music and their new acoustic leanings. Blue Sky and the Devil (2005) and Trouble (2007) explored a similar sound, but it wasn’t until 2008 and the band’s fourth release, Duluth, that Trampled by Turtles received recognition by the bluegrass community. Duluth peaked at number eight on the Billboard bluegrass chart and paved the way for a number of festival appearances. When Palomino arrived in 2010, it was met with an even greater response, debuting at the top of the bluegrass chart and remaining in the Top Ten for more than a year.

Two years later, their crossover appeal landed them at number 32 on the Billboard 200 pop charts upon the release of their sixth album, Stars and Satellites. In addition to major bluegrass and folk festivals, they began showing up at Coachella, Bumbershoot, and Lollapalooza. The official concert album, Live at First Avenue, followed in 2013, recorded at Minnesota’s most famous venue. A year later, the band returned with the darker-toned Wild Animals, which bettered its studio predecessor on the album charts, reaching number 29. Trampled will  release their latest album Life Is Good On The Open Road on May 4th, 2018.

 

The Lil Smokies

The Lil Smokies  Image

When people see The Lil Smokies setting up their acoustic instruments, they’re often unprepared for the electric energy they generate. The band captures that same dynamic presence on their new album, Changing Shades, delivering their exceptional songwriting and bluegrass roots with the punch of a rock band.“We wanted to duplicate the energy of our live shows. It’s a perfect mixture of improvisation and composition.

The record shows how fearless we’ve become in the last year,” says Andy Dunnigan, lead songwriter, singer and dobro player. They cut Changing Shades in a lighthearted, week-long session at SnowGhost Music in Whitefish, MT with engineer Brett Allen (The Avett Brothers, Kris Kristofferson, Béla Fleck) and co-producer Rob Gordon (Elephant Revival). “It was a breeze,” Dunnigan says. “Rob got us to focus on what makes each song special. We refined and recorded them live, together in one room, just like on stage.”

The first incarnation of The Lil Smokies got together in Missoula, Montana, during the winter of 2009. Through the years, the band transformed and settled into the current lineup – Scott Parker on bass; Jake Simpson on fiddle; Matt Rieger on guitar; Matt Cornette on banjo and Dunnigan on dobro. Previously, the band has won the 2015 Telluride Bluegrass Band competition and took home the 2016 IBMA Momentum Band of the Year award. They’ve also wowed fans at the High Sierra, FreshGrass, Telluride Bluegrass, Grey Fox, Del Fest, Floyd Fest and String Summit festivals, to name a few.

Amy Helm

Amy Helm Image

“I’m just trying to tell some stories as honestly as I can,” Amy Helm says of Didn’t It Rain, her first solo album and her eOne Music debut.

Although the personally charged, organically soulful Didn’t It Rain is her first release under her own name, Amy Helm has been making music for most of her life. She’s already won widespread praise as a singer, songwriter and live performer, first as a member of the celebrated alt­country collective Ollabelle and subsequently for her extensive work with her father, musical icon Levon Helm, who passed away in 2012.

Blessed with a commanding, deeply expressive voice and an uncanny songwriting skill that instinctively draws upon a deep well of American musical traditions, Amy Helm delivers a timelessly powerful statement with Didn’t It Rain.

The spellbinding dozen­song set is rooted in first­person experience, exploring universal themes of life, love and loss on such musically and emotionally resonant originals as the smoldering soul ballad “Rescue Me,” the hushed, lilting “Deep Water,” the meditative “Roll Away” and the stark, haunting “Wild Girl.” Complementing Helm’s originals are her personalized takes on the Sam Cooke classic “Good News” and the traditional title track, which she delivers with the heartfelt gospel urgency that’s always been an element of her vocal persona.

Accompanying Helm on Didn’t It Rain is an impressive roster of players and singers that demonstrates the esteem in which the artist is held by her peers. Helm’s former Ollabelle bandmate Byron Isaacs, who produced the album, co­wrote the majority of the songs with Helm, and is featured as one­third of Helm’s current live trio the Handsome Strangers, playing bass alongside guitarist Daniel Littleton and drummer David Berger. Also contributing their talents are Little Feat keyboardist Bill Payne; guitarists Larry Campbell, Chris Masterson and Jim Weider; keyboardists Marco Benevento, John Medeski and Brian Mitchell; and guest backup vocalists Carolyn Leonhart, Elizabeth Mitchell, Allison Moorer, Catherine Russell and Teresa Williams.

Didn’t It Rain also marked the final recording sessions of Levon Helm, who acted as the project’s executive producer as well as adding his unmistakable drumming on three tracks; Levon’s distinctive count­off can be heard kicking off Amy’s rousing take on Martha Scanlan’s “Spend Our Last Dime.”

Helm had originally planned to release her solo debut a bit sooner, but chose to substantially rework the album that she initially recorded, recutting more than half of the songs with the road­tested Handsome Strangers.

“That was kind of a reckless move financially, and it’s resulted in the album coming out two years later than I originally thought it would, but it was the right thing to do,” she acknowledges. “When I started the record, I’d never done a gig under my own name, and I was still getting comfortable with the idea of being a solo artist. I thought I’d finished the record, but then I started going out on the road, and the stuff that we were doing live was so much stronger thanwhat I had recorded, and I started feeling more confidence and focus. So we went back in the studio, with no money and no budget, and found a way to do it and get it right.”

Many of Didn’t It Rain‘s songs are the product of an extended period during which the artist endured a series of personal trials and life changes, including the April 2012 passing of her father and chief musical mentor.

“The past few years have been profoundly transformative for me, so I wanted to tell some of those stories as honestly as I could,” she asserts. “I thought about the people I had lost, and things that had fallen apart and things that were coming together, and that influenced the way I sang these songs.”

Amy Helm began connecting with audiences early in life, playing her first gig in her early teens in a Manhattan bar and drifting informally through a series of combos before her father recruited her to join his live band. She also absorbed musical and personal inspiration from her mother, noted singer/songwriter Libby Titus; and her stepfather, Steely Dan co­mastermind Donald Fagen, who offered Amy additional opportunities to find herself as a performer.

“I always did gigs through high school and college,” she explains, “but my fears and insecurities kept me from committing to it. That’s when my dad became a huge influence; he scooped me up when I was in my mid ­20s and put me in this blues band. I was very, very green, but I got my road­dog status with him. It was like walking through fire every time I got on stage, but it forced me to decide if I wanted to do this. And I decided that I absolutely wanted to do it.”

Amy’s vocal and songwriting talents soon found a home in the New York­ based Ollabelle, whose three acclaimed albums and countless live gigs saw her evolve into a confident, charismatic performer. She also resumed her musical collaboration with her father, singing and playing in his band, playing on and co­producing his Grammy­ winning 2007 comeback album Dirt Farmer, and helping to organize the now­legendary Midnight Ramble concerts at Levon’s home studio in Woodstock, NY.

“He was the best teacher, in so many ways,” Amy says of her father. “He wasn’t interested in overthinking anything; all he cared about was playing music. He saw himself as a working musician, and it was serious business and it had to be right. Playing side by side with him in the Ramble band for ten years, and building those shows with him, really changed the way I approached things, and his humility influenced and shaped me as a musician, as it did everyone who played with him.”

With Didn’t It Rain reintroducing her to the world as a solo artist, Helm says that her immediate plan is “to just get out and play as many gigs as possible. I think that the job of a musician is to try and shake people out of their own heads for an hour or two, and bring some joy into the world. So I want to get out there and do the job the best I can.”