Logjam Presents

Primus & Coheed and Cambria

With Special Guest Guerilla Toss

KettleHouse Amphitheater

Missoula, MT
Add to Calendar 07/22/2024 19:30 07/23/2024 01:00 America/Boise Primus & Coheed and Cambria

Logjam Presents is pleased to welcome back PRIMUS and COHEED AND CAMBRIA for a live concert performance at the KettleHouse Amphitheater on Monday, July 22, 2024. Tickets are on sale Friday, February 23, 2024 at 10:00AM at Logjam Box Offices & online. General Admission standing pit tickets, reserved stadium seating tickets, and general admission lawn tickets are available…. Continue Reading

Logjam Presents - Missoula, Montana false MM/DD/YYYY
6:00PM (door) 7:30PM (show)
$39-$99 (Adv.) + applicable fees
All Ages
Tickets Groove Shuttle / Parking Lodging Ticket Buying Tips

Logjam Presents is pleased to welcome back PRIMUS and COHEED AND CAMBRIA for a live concert performance at the KettleHouse Amphitheater on Monday, July 22, 2024.

Tickets are on sale Friday, February 23, 2024 at 10:00AM at Logjam Box Offices & online. General Admission standing pit tickets, reserved stadium seating tickets, and general admission lawn tickets are available. Shuttle tickets and parking available to purchase here. All ages are welcome.

Available Ticket Types:

General Admission Pit: General admission pit tickets allow access to the standing room only section located directly in front of the stage.

Reserved Premium Stadium Seating: Reserved Stadium seating tickets allow access to the reserved, stadium-style seating section located just behind the main pit of the amphitheater.

Reserved Stadium Seating: Reserved Stadium seating tickets allow access to the reserved, stadium-style seating section located just behind the main pit of the amphitheater.

General Admission Lawn: General Admission Lawn tickets allow access to the upper standing section of the amphitheater located just above the reserved stadium seating section.

Take a look at these tips to best prepare yourself for a smooth ticket buying experience.

Additional ticketing and venue information can be found here

All concerts are held rain or shine. Be prepared for extremes such as sunshine, heat, wind or rain. All tickets are non-refundable. In the event of cancellation due to extreme weather, tickets will not be refunded.

About Primus

“Tommy the Cat.” “John the Fisherman.” “Jerry Was A Race Car Driver.” “My Name is Mud.” “Wynona’s Big Brown Beaver.” Yessiree, Primus is responsible for some of the most cutting edge and original rock music of the 1990’s. And now, the definitive Primus line-up – singer/bassist Les Claypool, guitarist Larry LaLonde, and drummer Tim Alexander – is back together and planning on getting the worldwide masses bobbing up and down in unison once more.

Although originally formed in 1984, it was not until shortly before the end of the decade that the aforementioned classic line-up was solidified. With most hard rock/heavy metal acts at the time either neatly falling into either “thrash” or “glam” categories, Primus joined a variety of underground bands that refused to be pigeonholed (and by the early ’90s, had fully infiltrated the mainstream) – merging metal, funk, alternative, punk, country, roots rock, and experimental music, along with Claypool’s penchant for witty and often humorous storytelling lyrics.

Building a large and loyal following first in and around San Francisco (before eventually, going global), Primus kicked things off with a string of releases that are now considered classic alt-rock titles – 1989’s ‘Suck on This,’ 1990’s ‘Frizzle Fry,’ 1991’s ‘Sailing the Seas of Cheese,’ 1993’s ‘Pork Soda,’ and 1995’s ‘Tales from the Punchbowl.’ Along the way, Primus toured with some of rock’s biggest names (Jane’s Addiction, Public Enemy, Rush, U2, etc.), headlined the third-ever Lollapalooza Festival, and issued a variety of crafty music videos, which stood out in sharp contrast to the ultra-seriousness of most other video clips at the time.

Alexander exited Primus in 1996, but returned in 2003, in time for an EP/DVD set, ‘Animals Should Not Try to Act Like People,’ and a sold out reunion tour, that lasted over the next few years, before the drummer departed once more. But as Claypool got to work on putting together a forthcoming book about the band’s history, Les began longing for the days of when Alexander’s unmistakable and powerful drumming provided the beat. A phone call was placed, a conversation ensued, and before you could say, “Here come the bastards,” the Claypool-LaLonde-Alexander line-up was back in business. Plans to tour the world over and offering up new music are already in place. Be forewarned…here they come!

Although originally formed in 1984, it was not until shortly before the end of the decade that the aforementioned classic line-up was solidified. With most hard rock/heavy metal acts at the time either neatly falling into either “thrash” or “glam” categories, Primus joined a variety of underground bands that refused to be pigeonholed (and by the early ’90s, had fully infiltrated the mainstream) – merging metal, funk, alternative, punk, country, roots rock, and experimental music, along with Claypool’s penchant for witty and often humorous storytelling lyrics.

Building a large and loyal following first in and around San Francisco (before eventually, going global), Primus kicked things off with a string of releases that are now considered classic alt-rock titles – 1989’s ‘Suck on This,’ 1990’s ‘Frizzle Fry,’ 1991’s ‘Sailing the Seas of Cheese,’ 1993’s ‘Pork Soda,’ and 1995’s ‘Tales from the Punchbowl.’ Along the way, Primus toured with some of rock’s biggest names (Jane’s Addiction, Public Enemy, Rush, U2, etc.), headlined the third-ever Lollapalooza Festival, and issued a variety of crafty music videos, which stood out in sharp contrast to the ultra-seriousness of most other video clips at the time.

Alexander exited Primus in 1996, but returned in 2003, in time for an EP/DVD set, ‘Animals Should Not Try to Act Like People,’ and a sold out reunion tour, that lasted over the next few years, before the drummer departed once more. But as Claypool got to work on putting together a forthcoming book

about the band’s history, Les began longing for the days of when Alexander’s unmistakable and powerful drumming provided the beat. A phone call was placed, a conversation ensued, and before you could say, “Here come the bastards,” the Claypool-LaLonde-Alexander line-up was back in business. Plans to tour the world over and offering up new music are already in place. Be forewarned…here they come!

About Coheed and Cambria

For the last 20 years, Coheed and Cambria have continuously broken the mold of what a rock band can be, forging their own path and building a universe around their music unlike any other. Whether it is in the way their genre-spanning approach to songwriting has allowed them to bridge worlds without being contained to one, or the multifaceted story arc of their albums and comic book series which mark the longest running concept story in music, Coheed and Cambria have consistently shaped new standards, never conformed. Comprised of Claudio Sanchez (Vocals / Guitar), Travis Stever (Guitar), Josh Eppard (Drums) and Zach Cooper (Bass) the band has gripped listeners and press around the globe with their visionary compositions and conceptual mastery. In 2018, Coheed and Cambria made a stunning debut with their album Vaxis I: The Unheavenly Creatures, which debuted at #1 on Billboard’s “Hard Rock Albums” chart, #6 current sales and Top 15 on the “Billboard 200” chart.

With Special Guest Guerilla Toss

With Special Guest Guerilla Toss Image

About Guerilla Toss

Dig deep enough inside yourself—start treating your body as your sanctuary rather than your enemy—and eventually you’ll find yourself blooming right back out into the sun. That’s the transformation Guerilla Toss trace on their newest album “Famously Alive,” their effervescent Sub Pop debut. After a decade sprinkling glitter into grit, building a reputation as one of the most ferociously creative art-rock groups working, the upstate New York band have eased fully into their light. This is Guerilla Toss at their most luminescent—awake, alive, and extending an open invitation to anyone who wants to soak it all up beside them.

Singer and lyricist Kassie Carlson, multi-instrumentalist Peter Negroponte and guitarist Arian Shafiee wrote “Famously Alive” at home in the Catskills during the pervading quiet of the pandemic year. The uncertainty of COVID-19 lockdowns and the total disruption of routine forced Carlson to negotiate with herself in new and challenging ways. “You have to be with yourself all the time during the pandemic,” she says. “I had to figure out a way to manage my anxiety. The pandemic was hard, but it helped me get comfortable inside my own body. My peace of mind came out of being thrust into the deepest shit. This album is all about being happy, being alive, and strength. It’s meant to inspire people.”

The album’s title derives from a poem written by a close friend of the band, Jonny Tatelman, who supported Carlson through the early stages of her recovery from opiate addiction. The poem comprises the entirety of the lyrics to the title track, an exuberant ode to loving your own survival and charting a course into unconditional self-acceptance. “The song ‘Famously Alive’ is about living with purpose and excitement whether you’re famous or not, accepting your strangeness and thriving even if your successes look different than other people’s,” notes Carlson. “To me, ‘Famously Alive’ means flipping the notion of dying famously to living famously,” Negroponte adds. “I also like to think of it as a way to describe living through something traumatic and coming out of it a stronger, wiser person.”

Songs like the expansive, gleaming “Live Exponential” similarly invite the listener to lean into the light. “It’s about loving yourself and finding a way to be comfortable in your own body—to live life to the fullest and beyond,” says Carlson. Throughout the record, Guerilla Toss meet themselves with curiosity, generosity, and acceptance even for the harder parts of being alive. Opener “Cannibal Capital,” a song about the exhaustion and dread of social anxiety, came together in a flurry toward the end of the album’s sessions. A taut bass groove erupts into competing squalls of guitar and synth that support one of the most immediate and arresting vocal hooks of Guerilla Toss’s catalog to date.

Together with guitarist Arian Shafiee, Carlson and Negroponte cultivated a sound that spliced together psychedelic texturing and Krautrock syncopation with the gloss and glow of contemporary pop music. “I like to combine as many musical influences as possible,” says Negroponte. “We thought the sleekness of current radio pop would make our dense wall-of-sound aesthetic both more bizarre and more accessible and fun at the same time.” Carlson was similarly inspired by a wide range of artists from around the world after diving deep into obscure 7-inches for her weekly show on Radio Catskill, Rare Pear Radio.

While writing the album, Carlson took voice lessons online for the first time. Though she has been singing since she was four years old, at first with a vocal harmony group in her family’s church, she hadn’t formally trained her voice since joining Guerilla Toss. The lessons allowed her to deepen and broaden her range, helping her feel more embodied and connected to her voice. Underneath ripples of Auto-Tune, playful, searching vocal melodies suspend lyrics about reaching for yourself and holding fast in your own love.

“Famously Alive” finds Guerilla Toss coming into the fullness of their power, celebrating their prismatic idiosyncrasies from a place of optimism and abundance. “It felt like I didn’t need to force myself into this dark place to create anymore,” Carlson says. “For the first time in my life, I feel like I’m finally comfortable inside my body.”